Gifts of Gold

She’s an angry bitch. He’s a teasing bastard.

Blake Kane is angry at everything. And at everyone, including herself. Most of the time, her anger is of the poorly managed, unplaced variety, but when a job for the Court of Chains goes wrong, and she’s issued a personal guard, she suddenly has a target for all her aggression and anger. Unfortunately, the prick seems to like her being pissed at him.

Flea is a man with many names. Some are even his. Some he likes to trick out of people, treasuring them as unintentionally granted gifts. Rarely does he concern himself with the humans they belonged to, nor does he keep the gift of their names for very long. After all, playing with the same thing over and over again quickly gets boring. But the owner of the name ‘Blake Kane’ is a different sort. The surprising, aggressive, interesting sort.

When he gets stuck looking after her after a job goes wrong, it doesn’t take much provocation to tease her into a game of the physically sinful variety. After all, what’s wrong with a little friendly competition?

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In Open Contempt

A stirring journey into the soul of a fractured America that confronts the enduring specter of white supremacy in our art, monuments, and public spaces, from a captivating new literary voice

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.

Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt offers a hopeful reimagining of the spaces in which we can pay tribute to our nation’s true history.

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Not All Dead White Men

A disturbing exposé of how today’s alt-right men’s groups use ancient sources to promote a new brand of toxic masculinity online.

A virulent strain of antifeminism is thriving online that treats women’s empowerment as a mortal threat to men and to the integrity of Western civilization. Its proponents cite ancient Greek and Latin texts to support their claims–arguing that they articulate a model of masculinity that sustained generations but is now under siege.

Donna Zuckerberg dives deep into the virtual communities of the far right, where men lament their loss of power and privilege, and strategize about how to reclaim them. She finds, mixed in with weightlifting tips and misogynistic vitriol, the words of the Stoics deployed to support an ideal vision of masculine life. On other sites, pickup artists quote Ovid’s Ars Amatoria to justify ignoring women’s boundaries. By appropriating the Classics, these men lend a veneer of intellectual authority and ancient wisdom to their project of patriarchal white supremacy. In defense or retaliation, feminists have also taken up the Classics online, to counter the sanctioning of violence against women.

Not All Dead White Men reveals that some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online.

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When Women Ran Fifth Avenue

A glittering, glamorous portrait of the golden age of American department stores and of three visionary women who led them, from the award-winning author of The Plaza .

The American department a palace of consumption that epitomized modern consumerism. Every wish could be met under one roof – afternoon tea, a stroll through the latest fashions, a wedding (or funeral) planned. It was a place where women, shopper and shopgirl alike, could stake out a newfound independence. Whether in New York or Chicago or on Main Street, USA, men owned the buildings, but inside, women ruled.

In this hothouse atmosphere, three women rose to the top. Hortense Odlum of Bonwit Teller, Dorothy Shaver of Lord & Taylor, and Geraldine Stutz of Henri Bendel’s took risks, innovated and competed as very different kinds of career women, forging new paths for the women who followed in their footsteps. In the 1930s, Hortense came to her husband’s department store as a housewife tasked with attracting more shoppers like herself, and wound up running the company. Dorothy championed American designers during World War II–before which US fashions were almost exclusively Parisian copies–and beyond, becoming the first businesswoman to earn a salary of more than $1.5 million. And Geraldine re-invented the look of the modern department store in the 1960s, and had a preternatural sense for trends, inspiring a devoted following of ultra-chic shoppers as well as decades of copycats.

In When Women Ran Fifth Avenue, journalist Julie Satow draws back the curtain on three American women who made twentieth-century department stores a mecca for women of every age, social class, and ambition. This stylish account, rich with personal drama and trade secrets, captures the department store in all its glitz, decadence, and fun, and showcases the women who made that beautifully curated world go round.

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